The number of games that find success on one platform and then spread to others has trended upwards significantly over the past couple years. If I was to hazard a guess as to why this is I’d have to say that the tooling available is probably the primary reason as many of the games that make the transition are Xbox Live Arcade titles. For that we can thank the Microsoft XNA framework which does a lot of the heavy lifting for the developers meaning that the only thing holding back a cross platform release is reworking the UI/controls for a different platform. That’s still a challenge which is why you don’t see every single XBLA game instantly on the PC but even a modicum of success will usually mean a PC release not long after. Insanely Twisted Shadow Planet is one such title having found wild success late last year and then debuting on the PC this year.

Insanely Twisted Shadow Planet (I’m going to abbreviate this to ITSP from now on) takes place in a far off galaxy in a solar system inhabited with a highly advanced race of aliens. Everything seems peachy until a tangled black mass rockets through their home system, eventually crashing into their sun. Instead of being instantly vaporized however it appears to take over the sun itself, forming a kind of Dyson Sphere around it. Then it launches several other replicants of itself at all the planets in the system that perform much the same function as the original asteroid did. You then take it upon yourself to rid your solar system of this menace,  jumping in your hilariously stereotypical UFO and heading out with nothing much more than a scanner and a vendetta.

Right off the bat ITSP sets itself apart from all the other 2D puzzlers I’ve played recently by having some incredible cinematic direction. Whilst games like Unmechanical did the majority of their story telling through the game itself ITSP does quite a bit in some incredibly well directed cutscenes. Indeed the initial plot summary I gave you above all takes place within one such scene and everything about it, from the choice of artwork to the awesomely epic soundtrack, just made it feel like it was ripped directly from a high budget animated movie. That artistic style continues on throughout the game and it’s probably one of the most enjoyable things about ITSP.

ITSP brands itself as a “multi-directional shooter” however I feel like it’s far more appropriately classified as a 2D puzzler with shooter aspects. While you will spend a good amount of time firing at all the various enemies that will try to get you in all sorts of random ways the majority of your time will be spent solving some kind of puzzle. They’re not mutually exclusive things either as quite often you’ll be force to try and solve some kind of puzzle whilst under fire from all directions making what would be a simple encounter much more challenging. The two core game mechanics blend well together making for both exciting and challenging game play.

Initially you start off with just a few simple tools with which to complete your tasks. The first tool you’re given is a scanner which allows you to investigate objects in ITSP and then get a visual cue as to what you need to do in order to interact with it. This is extremely helpful as if you get stuck on at a particular stage you’re usually only a couple scans from working out what the intended solution is. Of course there are still some puzzles that are non-obvious even with those little clues but suffice to say that it serves well as a built in hint system that doesn’t feel like the answers are being handed to you on a plate.

As you progress on the tools you have at your disposal increase with every passing section leading to more and more complicated puzzles. In all I believe there were a grand total of 8 different tools at your disposal each of them with a unique ability that unlocks another section of the ITSP map. You’ll often find yourself flying past obstacles that you can scan but don’t yet have the tool to access it giving you a kind of foreboding as to what is to come later on.

The puzzles are, for the most part, quite well done as there’s a good balance between challenge and progression. Indeed if you’re struggling with a particular puzzle or boss fight then its usually because you’re not understanding the mechanics properly or you’re going about it in a really odd way. There are some challenges that are far less fun than others (I’m looking at you, rocket in a maze where you can’t hit the walls) but I didn’t often find myself stuck on a particular section for long which made the game feel a lot better paced than some other games in similar genres.

ITSP does have a few glitches that I believe are worth mentioning however. So to the developer’s credit they included a map that helps you navigate your way around ITSP, which is good. However should you go into said map whilst you’re holding something in the claw tool or holding a key down you will drop said object or that key you were holding down will stop working. It’s not game breaking but it is rather annoying when you’re in the later stages of the game where you’re required to drag an item along with you all the time and there’s not a lot of light so you have to keep checking your map to make sure you’re going in the right direction. Yes I know that you can use the power wheel thing to get a direction queue but that has the unfortunate side effect of changing whatever tool you had equipped at the time which can be deadly if you do it at the wrong time.

The physics are also a little wonky for some of the challenges, the most notable being the one above. Again it’s not game breaking but trying to get those damn crystals into the holes (or indeed anything that requires a little precision) is fraught with difficulties. ITSP does have a rudimentary snap-to system which works for something but not others and the crystals in the ice stage appear to be one of the things it doesn’t work for. It might make sense when you’re using a controller however I don’t know anyone who’s played this on the Xbox so I’m not completely sure of that.

The boss fights are equal parts fun and challenging with each of the bosses being unique in their own weird way. The one above was probably the most challenging boss fight of the lot as one mistake or slip up could easily see your ship ruined long before you had enough time to react. They were a very good way to break up the relative monotony of flying around, solving puzzles and looking for hidden stashes and it’s something that a lot of similar games forego because they simply can’t be worked in well. ITSP however does a very good job with them and they were definitely my favourite combat challenge.

ITSP’s story is a simple affair when taken on face value and really I’m not sure if there’s much more depth intended by the developers. Sure there are many themes that you could say are explored (invasion, uprising, etc.) however since there’s no real backstory or explanation behind the vast majority of things that happen within ITSP I can’t say that I was playing it for the plot. Thankfully it doesn’t matter that much as the game play and cinematic quality of ITSP carries it without the need for an in depth storyline.

ITSP was one of those unexpected gems that I came across by chance when I was in a hurried state looking for the next week’s game review. It’s cinematic cut scenes are a joy to watch, it’s game play is fun and varied and there are only a few issues that detract from it overall. Its short length also make for a good Sunday afternoon distraction that doesn’t drag on unnecessarily. If you’re a fan of 2D puzzlers or shooters or just enjoy a well crafted game then I can’t recommend ITSP  enough as it really is just damn good fun.

Rating: 9.25/10

Insanely Twisted Shadow Planet is available right now on PC and Xbox360 for $14.99 and 800 Microsoft points respectively. Game was played entirely on the PC with around 3.6 hours of total game time.

About the Author

David Klemke

David is an avid gamer and technology enthusiast in Australia. He got his first taste for both of those passions when his father, a radio engineer from the University of Melbourne, gave him an old DOS box to play games on.

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